Skip to Content
British Columbia Conservatory of Music
Who we are
Our Mission
Faculty
Locations
Work with us
What we do
Music Lessons
Group Theory Courses
Music+
Registrations
Sign up for Lessons
BCCM Examinations
BCCM String Ensemble
Piano Pedagogy
Music Festival 2025
Examinations
Information
Registration
Resources
Bookstore
Audio Library
Syllabus
Past Exams
Blog
Performances
Contact us
0
0
British Columbia Conservatory of Music
Who we are
Our Mission
Faculty
Locations
Work with us
What we do
Music Lessons
Group Theory Courses
Music+
Registrations
Sign up for Lessons
BCCM Examinations
BCCM String Ensemble
Piano Pedagogy
Music Festival 2025
Examinations
Information
Registration
Resources
Bookstore
Audio Library
Syllabus
Past Exams
Blog
Performances
Contact us
0
0
Folder: Who we are
Back
Our Mission
Faculty
Locations
Work with us
Folder: What we do
Back
Music Lessons
Group Theory Courses
Music+
Folder: Registrations
Back
Sign up for Lessons
BCCM Examinations
BCCM String Ensemble
Piano Pedagogy
Music Festival 2025
Folder: Examinations
Back
Information
Registration
Folder: Resources
Back
Bookstore
Audio Library
Syllabus
Past Exams
Blog
Performances
Contact us
Digital Sheet Music Store Study in C Major (Op. 740 No. 1) - Czerny
32 Study in C Major (Op. 740 No. 1) - Czerny.png Image 1 of
32 Study in C Major (Op. 740 No. 1) - Czerny.png
32 Study in C Major (Op. 740 No. 1) - Czerny.png

Study in C Major (Op. 740 No. 1) - Czerny

CA$3.00

The purpose of this challenging study is to develop evenness of finger action with a quiet hand. The majority of the sixteenth-note passages are in “five-finger "position with occasional scalic runs. To avoid injury to smaller hands, the octave reach in the opening right hand chord may be eliminated and substituted with C-E-G, maintaining “G” as the top note. Similar substitution or omission is suggested at measures 5, 26, 63, 70, 74, 82, and 83.

Pages: 4
Tempo: ♩ = 132-168
Grade: Grade 9
Composer: Carl Czerny
Edition: 2022

Add To Cart

The purpose of this challenging study is to develop evenness of finger action with a quiet hand. The majority of the sixteenth-note passages are in “five-finger "position with occasional scalic runs. To avoid injury to smaller hands, the octave reach in the opening right hand chord may be eliminated and substituted with C-E-G, maintaining “G” as the top note. Similar substitution or omission is suggested at measures 5, 26, 63, 70, 74, 82, and 83.

Pages: 4
Tempo: ♩ = 132-168
Grade: Grade 9
Composer: Carl Czerny
Edition: 2022

The purpose of this challenging study is to develop evenness of finger action with a quiet hand. The majority of the sixteenth-note passages are in “five-finger "position with occasional scalic runs. To avoid injury to smaller hands, the octave reach in the opening right hand chord may be eliminated and substituted with C-E-G, maintaining “G” as the top note. Similar substitution or omission is suggested at measures 5, 26, 63, 70, 74, 82, and 83.

Pages: 4
Tempo: ♩ = 132-168
Grade: Grade 9
Composer: Carl Czerny
Edition: 2022

Listen to this piece:

BCCM Monthly Newsletter

Thank you!

Locations

Burnaby - Offices

4549 E Hastings St
Burnaby, BC V5C 2K3
604-299-2984

Port Coquitlam

1016 Riverwood Gate
Port Coquitlam, BC V3B 8A2
604-299-2984

FAQs
POLICY
CALENDAR
RESOURCES
CONTACT US
WORK WITH US
SUMMER FEES
25-26 TUITION FEES